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December 2009 Archive



31 December - The Year in Catwalks

Natasha, New Year's Eve
Positively the Last Catwalk of '09

Looking back, it was a pretty good year for catwalking, except that my sprained foot back in September cut back on my mobility a bit. After
a promising opener, there seemed to be a little less wallowing than in previous years - dunno why. But we did have some fine catwalks - let's look back on some memorable moments in '09:





Previous Years in Catwalks - 2007, 2008.



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30 December - The Happy Return

Tragically, the Janus Museum's site's been off the air for about a week, but here we are again - many thanks to Friend of the Museum Rebecca Richters for monitoring our web situation and alerting us to the resumption of web services.



  
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24 December - That Cherub Pose

Tintype, after Raphael - 1

The Janus Museum holds a particular photographic collection that I think must be unique. Some years back I found an uncatalogued group of nineteenth century images in an unmarked box; the first image was the picture shown above - how odd, I thought, to find a shot of two dudes with their shirts off, c.1880. Then, with the next tintype...


Tintype, after Raphael - 2

... I figured out what was going on. These pictures were take-offs on the famous image of the two putti, the cherubs, looking up from the bottom of
Raphael's Sistine Madonna:


The Sistine Madonna, Raphael - carte-de-visite

The Sistine Madonna, Raphael - carte-de-visite.


Detail of the putti of the Sistine Madonna - carte-de-visite

Detail of the cherubs, Sistine Madonna - carte-de-visite.

The painting was popular, as a wood engraving, lithograph, and photographic reproduction, to the point inspiring a humor concept, as the cache of images demonstrated. I was explaining this to a well-known curator of photography from a well-known museum, as I showed here the collection. No, she said emphatically. No, it was just a posing convention - a conception of a dignified pose, which also helped steady the sitter during a long exposure. Nothing to do with cherubs or Raphael, she said with a condescending larf. Oh, I said, and pulled out the next picture:


Stereoview after Raphael

And I suppose, I said, that the wings were a standard posing convention, too, hmmm? The conversation ended quite soon thereafter.


Fairbank's Cherubs Trade Card

The inclusion of a trade card of a piggy version rather cinches the matter, I think.


Tintype with Muffs, after Raphael

Oh! We also have a rare variant with muffs.



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24 December - Toscanini's Guilt Trip

Arturo Toscanini (1867-1957)

Our old friend Herb Grossman, former assistant to
the great conductor, sends us another fine Tale of Toscanini; since it's all about laying down a guilt trip, it's perfect for the holiday season:
In his last years with the NBC, a number of things happened, for the most part not witnessed by me (those were my Munich years), but the incident I remember mostly had to do not with one of his final performances overall but with his last performance of an opera he had conducted since Puccini himself was alive, La Bohême - in concert form. It occurred in the final scene of the last act where Rodolfo overhears one of his colleagues whisper that Mimi is dead. The French horns (why is it always the French horns?), after a silent downbeat of great drama, immediately let loose with a series of three blood curdling chords, the orchestra immediately picks up with a melodramatic, heart-stopping phrase from an earlier aria, at the end of which Rodolfo shrieks "MIMI," a scream of agony which in my estimation is the most powerful such utterance in the history of the medium. As happened occasionally at this time when Toscanini knew he would soon have to give up the conducting which had been his life for more than 65 years, his emotions overcame him and the downbeat which precedes the three chords was struck with such strength and passion that two of the five horns entered where there should have been silence; the others, shocked, tried to catch up, the first two realized their mistake and tried to retreat - chaos ensued for what must have seemed an eternity, though it was only a matter of seconds before they straightened themselves out.

In a few minutes the performance came to an end and the musicians retreated to their orchestra room not knowing what kind of wrath awaited them. As they sat there pale and anxious, the door opened and a stern Toscanini walked through the door, asked all but the Horns to leave the room, then turned and stared. He continued staring, they shivered in dread until finally, "Tonight you will all go home and make love to your wives," he said, "while I, Povero Toscanini, will lie awake all night visiting and revisiting the shame of a ruined career."

And with that, without another word, the old man turned and walked out of the room, quietly closing the door behind him.

Nothing more ever was said.


Previous Toscanini Tales:

Toscanini's Blinding Glare
Toscanini's Soup
Toscanini's Watch

And also - the New York Philharmonic Mafia



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23 December - Augmented Seasonal Cat Content

Cat Toby in the Circle, December 2002

Here, from the archives, is another classic seasonal cat photograph - good old
Cat Toby enjoying the first flakes of a winter storm event in the Circle, December 24, 2002.



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22 December - Tragic Lack of Seasonal Cat Photography

Cat Natasha in the Snow

My apologies for the lack of
festive seasonal cat photography - the snow's too high for catwalking, and the usual suspects much prefer the warmth of the Historic Cottage, and I have a cold. Above, a quick snap of Natasha snapped while we got the newspaper...


Natasha at the Gazebo


At the Gazebo with Natasha, Again

... Meanwhile, so there shouldn't be as you might say total deprivation, here are a couple of shots taken at the gazebo in previous years.


Cat Tucker, waiting for Santa Claws

... And from Christmas, 2004, the classic shot of Cat Tucker, waiting for Santy Claws. Perhaps conditions will improve for the annual Christmas Catwalk.



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21 December - Four Seconds Along the Canal

The Canal at Coulon - Autochrome, 1912

Here's another
Autochrome from the collection - along the canal in Coulon, France. Photographer unknown, but he recorded the date - 16 September, 1912; also the exposure - f/16, four seconds. Here's our previously featured Autochrome, the Dog with Boy and Orange.



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20 December - The One-Eyed Captain

Captain E.G. Fetchet of the 8th Cavalry?

Here's a bit of a puzzle from the scanning queue. The gallant though one-eyed officer shown above is identified on the reverse of the carte-de-visite:


Reverse of the Carte of the Gallant Captain

... Except that I can't quite make out the name - "Capt. Teshel(?) 8. U.S. Cav". A bit of searching brought up a Captain E. G. Fetchet of the 8th Cavalry, most notable for his participation in the skirmish that resulted in the death of Tatanka Iyotaka - Sitting Bull - on December 15, 1890:


Account of the Death of Sitting Bull

From
the McCook (Nebraska) Tribune, December 26, 1890.

I haven't found much else on Capt. Fetchet - nothing, for example, about not having all of his ocular equipment. Does anyone with a better command of 19th century orthography think that the scrawl on the card could be Fetchet?



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19 December - Coffee, Rum, Snow



The Museum's Video Unit presents a short but evocative feature on the joys of café correto in a blizzard, having somehow purloined the bottle of rum from
the Fellows' Lounge.



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19 December - Ring dem Bells

The Royal Hand-Bell Ringers

Here are the lads of
the Royal Hand-Bell Ringers, AKA the Poland Street Temperance; they were quite an eminent ensemble, according to the label on the back of their carte-de-visite:


More on the Royal Hand-Bells



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19 December - Closed on Account...

Conditions from the Historic Cottage porch

... Of the blizzard currently falling on the Museum, and the rest of the Washington Grove/Washington DC area. Which means that the Museum's Fruitcake Festival is cancelled, which is a shame, since we were hoping to sell a load of recalled fruitcakes. Which reminds me that we had a fruitcake-related disaster the other day - someone attempted to flush a hunk of fruitcake down the toilet in the public facility. We had to call in the plumbers. The Museum fellows refused to allow Museum visitors to use the Fellows' loo, which means we had to close the Museum.

Meanwhile, the maintenance man, Gus, who should be shoveling for god's sake, is nowhere to be found.

Also, the site may go dark - the measly traffic allowance, of course. Ah, but here's something festive for the season and all:


Christmas Around the Iron Lung

Celebrating around the old iron lung - via
Martin Klasch, via Weetstraw, via the New York Public Library Digital Gallery. Oh, and here's a previously featured cigarette card from the NYPL.

Say, why not check out the Janus Museum Museum Shop?



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12 December - Now as Seen on TV

Animals Aloft, as seen on TV

During the summer of '07, I
mentioned a television project that the Janus Museum assisted, but didn't elaborate, much, on its nature. It was, in fact, a video version of the National Air and Space Museum/Janus Museum book Animals Aloft, produced by the Smithsonian Channel. It premieres tomorrow at 8 PM, and will be repeated frequently. Not that we'll be able to watch it in the Fellow's Lounge - our local cable doesn't offer the Smithsonian Channel, so we'll have to wait for the promised DVD. Oh, here's a teaser:




And here's my own behind the scenes video:




Gilmore, famous lion mascot of Roscoe Turner, is dramatically revealed in his fridge. Too bad the camera stops at that point - the alien bodies from Roswell are stacked just past Gilmore.


Gilmore being filmed for the Animals Aloft video.

Gilmore was interviewed for the program - very witty guy, Gilmore. Gus, our maintenance man, was also interviewed, standing in for me, the actual author of the book - Gus having been deemed more photogenic, god save us. Fortunately, every new edited version we saw contained a little less Gus, and I have hopes that the finished program will have zero Gus content. Oh, and here's a post on the program over at AirSpace, the National Air and Space Museum's blog.



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9 December - Alarmed Mountain Cow

Cow and Calf, Paris Mountain

I forget what I said that so alarmed the poor cow. It's not as if I gestured wildly toward her calf with a hamburger bun or anything like that. Taken on the Blue Ridge, near Paris, Virginia.



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7 December - A Prodigy, Interrupted by Cat

Mozart, aged seven, with cat
Wolfgang Amadeus Mozart with his favorite cat, Leroy

The Royal Society is celebrating its 350th anniversary with a new online library project called
Trailblazing, which presents a fascinating trove of documents from the Society's archives. The report that caught my attention is a report by the naturalist Daines Barrington (1727-1800) on a visit to London in 1769 by the thirteen year old prodigy Mozart. Barrington also describes an earlier encounter in London, when little Wolfgang was only eight - Barrington set a number of musical trials to gauge Mozart's talent:
My intention in carrying with me this manuſcript compoſition, was to have an irrefragable proof of his abilites, as a player at ſight, it being absolutely impoſſible that he could ever have ſeen the muſic before.

The ſcore was no ſooner put on his deſk, than he began to play the ſymphony in a most maſterly manner, as well as in the time and ſtile which correſponded with the intention of the compoſer.

I mention this circumſtance, becauſe the greateſt maſters often fail in theſe particulars on the fiſst trial.

Other tests follow, and Mozart trots out some masterly improvisations. And then Barrington voices a doubt:
Witneſs as I was myſelf of moſt of theſe extraordinary facts, I muſt own that I could not help ſuſpecting his father impoſed with regard to the real age of the boy, though he had not only a moſt childiſh appearance, but likewiſe had all the actions of that ſtage of life.

For example, whilſt he was playing to me, a favorite cat came in, upon which he immediately left his harpſichord, nor could we bring him back for a conſiderable time.

He would also ſometimes run about the room with a ſtick between his legs by way of horſe.

On further investigation, Barrington reports that Leopold Mozart had been truthful about the prodigy's age - only eight. Although I put it to you that even an older performer might get a little bored with a lengthy musical examination, and suddenly declare a cat break.

And I muſt admit that I maſſively enjoy uſing the antique long s in a poſt - adds a touch of founding fathers ſtyle gravitas. The HTML code for the long s, by the way, is ſ.



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6 December - Specialization in Photographic Equipment

A Camera for Werewolves from Creepy Magazine

I can't say that the need for such a camera's ever come up in my own work, but it's nice to know that the Werewolf Camera Gun exists, at least in the pages of
Creepy Magazine. Tragically, Bob Atria, the dapper werewolf in the story, was equipped with a bulletproof vest. Armor-piercing silver bullets would have done the trick - a photographer ought to be prepared for anything, you know.



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5 December - A Doe and a Verger Queued

Doe, Bushy Park, Hampton Court

Today's encounters in the scanning queue included (above) a cautious doe photographed in Bushy Park, Hampton Court, and...


The Old Verger, Washington Grove

... A vintage portrait of old Elias Wallingford, verger of St. John's in Washington Grove, c.1885. By the way, a verger (or virger, so called after the staff of the office) is a person, usually a layman, who assists in the ordering of religious services, particularly in Anglican churches (
via Wikipedia). Old Elias, the story goes, was fond of the bottle and established a still in St. John's crypt. When the church, a fine gothic pile, burned down in 1889, Elias was the first chap the cops went looking for, but he was never seen again - rumor had it that he retired to a cave on Sugarloaf Mountain, not far from the Duplicitous Louie Grotto.



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